Tag Archives: Pop

Review: Anti

anti cover
via D4 Premiere

Anti (2016)



Westbury Road / Roc Nation

It was late last Wednesday night when I somehow ended up with Rihanna’s newest album for free.  Anti, the singer’s eighth studio album, was released for free through Jay Z’s streaming service Tidal.  I was just clicking around on Twitter and a few links later, her entire album was downloading to my computer.  I was already excited for Rihanna’s new project…but this put the cherry on top.  I guess I shouldn’t be surprised anymore, since the idea of a “surprise album release” is now commonplace in a music industry that is changing every day.  Rihanna always strives to be different from everybody else and in true Rihanna fashion, Anti is supremely different from her previous work.

via Wiki Starz

Gone are the high-octane hip-hop beats and fiery pop sound.  Anti is more of a slow-chopped R&B affair and it also happens to be one of Rihanna’s most personal records yet.  This creative freedom might be the result of RiRi’s label change, moving from Def Jam to Roc Nation.  The album consists of songs of reflection on relationships of the past.  In fact, most of the album gets personal about her love life, including her highly public (and probably abusive) relationship with Chris Brown.

The album opens up with “Consideration,” featuring singer SZA.  The song is about Rihanna’s music career and how there should be a bigger emphasis on being an artist rather than an entertainer.  Rihanna has writing credits on the song, as well as all the other songs that appear on the album, which is a big deal for her.  This is one of her first forays into songwriting and it pays off in big ways.  To give context, Rihanna’s album Loud featured zero writing credits from the artist.  She’s come a long way in terms of being an artist, which is what the song is all about.  It’s a strong opening for an album.

anti 2
via News AU

Anti then continues to get deeper and deeper.  The desperate “Kiss It Better” dives into the emotions of someone who just got out of a relationship but want’s their lover back, laced with some nice guitar riffs in the background.  “Work,” the lone single from the album featuring, teams up with Drake to deliver a lust-filled narrative of two lovers.  There’s an exotic reggae beat that goes along with the track that gives it it’s laid-back quality.  The album is incredibly diverse in terms of sound, dipping it’s toes into genres like dancehall and soul.

Taking a break from the moody offerings on the album, “Desperado” is an energized and powerful track about being in a relationship with someone “on the run.”  There’s also “Woo,” a collaboration with rapper Travis Scott, Rihanna’s first track with her esteemed lover.  It’s a pointed track that delves into Rihanna’s feelings about an old flame.  However, the best track on the album is not even Rihanna’s.  “Same Ol’ Mistakes” is a cover of Tame Impala’s “New Person, Same Old Mistakes.”  The song is essentially about her work towards not releasing songs that are “burnt out.”  It’s a smooth track that is top-notch.

anti 3
via Pigeons and Planes

There is some first-rate writing on the album thanks to Rihanna, making Anti an experiential experience.  This experience is complemented with some great sound production and engineering.  In order to achieve the moody sounds that Rihanna wanted on the album, she teamed up with producers like Hit-Boy, DJ Mustard, Brian Kennedy, Timbaland, and No I.D., among others.  Anti is a far cry from the EDM club and dance projects of Rihanna’s past, but this album’s distinct sounds is one of her best.

If songs like “FourFiveSeconds” and “American Oxygen” were any indication, Rihanna has seemingly changed her musical course of direction and delivers an album in Anti that stands strong on its own.  Rihanna opens up with a collection of moody and love-infused tracks that will have you feeling all sorts of emotions.  Although I loved the Rihanna of the past, I applaud her for the changes that she has made in order to deliver this fine product of her creativity.

anti score

Review: Beauty Behind The Madness

beauty behind the madness coverBeauty Behind The Madness (2015)

The Weeknd

Pop / R&B

Label: XO, Republic

It’s been cool to watch the journey that Abel Tesfaye, more famously known as The Weeknd, has taken from his more obscure roots as an R&B croon to the mainstream star that he is today.  The Canadian artist first got his start putting out mixtapes and then proceeded to get noticed by record labels.  I guess it’s only ironic that the guy who relished being closed off from the world would go on to be noticed by more and more people.  Beauty Behind The Madness is Abel’s first foray into the mainstream and he takes the spotlight with grace.

via The Island Critic
via The Island Critic

I have to admit, I was pretty worried going in.  The tried and true tale of lesser known artists going mainstream and drastically changing their sounds is one we hear often.  I was worried the same would be true of The Weeknd.  His classic dark and atmospheric sound, fueled by his past, love, and drugs, was the sound that made me gravitate towards his unique brand of R&B.  It also doesn’t take a genius to recognize that this kind of sound doesn’t necessarily translate well to the top 40 airwaves.  (Just take The Weeknd’s first official album Kiss Land for example.  It was lauded well by critics but didn’t strike big among the general populace.)  Luckily for me, and probably everybody else, his doesn’t miss a step, taking his familiar sound to the mainstream spotlight while appealing to the masses.  Beauty Behind The Madness is simply the best case scenario for everybody.

Abel manages to fuse his addicting verses and melodies about troubled love and drugs with songs that are fit and ready to go on the radio.  Just take “Can’t Feel My Face,” for example.  The song manages to remain a “The Weeknd” song while at the same time providing us with one of the songs of the summer.  It’s also pretty easy to realize that Michael Jackson is a common influence through it all.  Literally, his influence rears its head on almost every note.  Other songs like “The Hills” and 50 Shades of Grey’s “Earned It” are great examples as well.

via All-Stars
via All-Stars

Don’t let the mainstream coating around the album scare you away if you were a fan of the old Weeknd though.  There is still a ton of material to keep you satisfied in between.  “Often,” which has been released in the past, makes another appearance on the album and continues to be one of my favorites.  Two songs towards the beginning of the album, “Real Life” and “Tell Your Friends,” act as good introductions to not only Abel’s music, but his life as well.  They go into his dark past and the decisions that he has made while going on and stating that he is not going to change his ways despite his new-found gust of fame.  He lays it out like it is.  Abel has been pretty open in the past, but the songs on Beauty Behind The Madness dive deeper into the shrouds that surround the intriguing crooner.

Another thing that makes the album pop is the amazing production that is interlaced through every single track.  The Weeknd handled a lot of the production on the album, but he also signed on the expertise of guys like Illangelo, Max Martin, Mike Dean, and even Kanye West for production duties.  Everything sounded very great, setting a mood and atmosphere that just kills.  On a side note, “Tell Your Friends,” produced in part by Kanye West, was in dire need of a Kanye verse.  Just saying…

via Okay Player
via Okay Player

The album is primarily a solo affair, which only makes sense for the kind of artist that Abel is.  The only features on the album are Che Pope, Ed Sheeran, and Lana Del Rey.  Aside from Che Pope, Sheeran and Del Rey are two artists that just go hand in hand with The Weeknd’s style.  The Weeknd and Sheeran’s “Dark Times” is a fantastic sounding song where the two feed off each other’s energy as the song goes on, culminating to a sweet sounding final duet.  “Prisoner,” featuring Lana Del Rey, presents us with the musical styles of both artists which ultimately goes together like peanut butter and jelly.  (Sorry, I had to use the PB&J analogy because it just makes sense.)

Beauty Behind The Madness is a textbook example by The Weeknd on handling new-found fame preceded by years of general obscurity.  A couple of songs lack the luster that the other’s bring to the table, but ultimately The Weeknd presents us with a final package that will please everyone in the end.  It’s a well put together album that will hopefully put The Weeknd on the map, if he hasn’t been put on there already.

beauty behind the madness score

The Weekly Drop: 4/18/15

This week saw the release of Tyler, the Creator’s album Cherry Bomb along with a mix and match of other singles as well.  Trey Songz delivered a surprise mixtape Intermission, and Rihanna released her newest single from her upcoming album, “American Oxygen.”  Here is what came out this week…

via Zumic
via Zumic

“American Oxygen”



Technically the song came out on April 5th on the new Tidal Music platform, but I was not really a fan of Tidal, so I decided to wait till it was available everywhere.  With that being said, this patriotic and energetic song is actually pretty good.  It is pretty significant because Rihanna, the island girl herself, is a black immigrant of the United States.  The song, which served as the theme song for March Madness, is about achieving the American Dream.  The song also has some obvious influences from Bruce Springsteen’s “Born in the USA.”  “American Oxygen” gets me pretty excited for what is to come with Rihanna’s #R8, her highly anticipated next album, but this should do till then.

via Deezer
via Deezer

“Addicted to a Memory”

Zedd (feat. Bahari)


“Addicted to a Memory” is Zedd’s second offering off his new album True Colors which comes out on the 19th of this month.  It is a “what could have been” type of song, which has Bahari reflecting on a relationship that probably did not go as planned.  It has a deep techno kind of feel with a drop that will shake any dance club.  It started to run a little long towards the end, but overall it felt like a Zedd song.

via Josepvinaixa
via Josepvinaixa

“Darker than Blood”

Steve Aoki (feat. Linkin Park)


The other EDM track to come out this week came from the rage inducer Steve Aoki himself, along with the surprise help of Linkin Park.  This is not the first time that we have had rock mixed with electronic music, but it did not feel quite right with “Darker than Blood.”  The song, which supposedly has been in production for almost two years, did not quite have the effect that I thought it would have.  The song sounds like Steve Aoki, as well as Linkin Park.  It just made me realize that the song probably would have sounded better separated.  I would have rather had Steve Aoki release the song by himself, with Linkin Park doing the same.  Then we could have had a comparison.

via Dj Booth
via Dj Booth

“So Many Pros”

Snoop Dogg


Bush is on its way, and Snoop seems to be making a comeback, albeit with a new sound.  His second single “So Many Pros” has similarities to his other single “Peaches and Cream,” which makes it apparent that the album is going to have a smooth and more “pop-y” feel to it.  “So Many Pros” has production from Pharrell Williams, and some back up vocals from the talented Charlie Wilson.  It brought me back to Snoop’s earlier ballad “Sensual Seduction,” but “So Many Pros” failed to do it for me.  It just sounded like a tired and lazy pop song with little to no rap at all.  If I did not know better, I would not have guessed that it was a Snoop Dogg song.

via Rap Dose
via Rap Dose

“Best Friend”

Yelawolf (feat. Eminem)


I have a strong feeling that Yelawolf has a good album coming our way to add to the collection of great hip hop albums that have come out this year.  “Best Friend” is his latest single from the upcoming release, which includes the only feature on the album; and no one better to fill that role than Slim Shady himself.  The two sound great together on the track, with Yelawolf getting a little more spiritual while Eminem delivers his trademark aggressive rhymes.  There’s a overarching spiritual tone to the song, which makes me excited for the kind of territory that the southern rapper will cover on Love Story.

via MWM Forum
via MWM Forum


Trey Songz


Trey Songz noted on his Twitter that he feels like he is at his best whenever he releases surprise music for his fans.  The mixtape, which could be called an EP, features a small collection of songs from the R&B singer.  Some of my favorites from the release are “Don’t Play” and “Talk About It.”  They both do the job of being pretty alright R&B songs.  The others on the EP are not knock-outs, but they were not bad.  Intermission was not Trey Songz at his absolute best, but he gives his fans something to grapple to during their wait for his upcoming project.

Review: Title

via Idolator
via Idolator

Title (2015)

Meghan Trainor

Pop / Soul

Epic Records

When “All About That Bass” was released by Meghan Trainor this past summer, she did all of us a favor (or misfortune) by putting that song in our head for days and months to come.  It was an addicting song with a catchy throwback style that put Trainor on the map.  It was her debut, and she came out swinging with an empowering song about having confidence with your body size.  Now Trainor has released her debut album, titled Title.  (Yeah, I said that right.  No typo)

The album keeps with the style of “All About That Bass” by introducing a sound that we haven’t heard too much of before.  It’s a mixture of pop, hip-hop, and doo-wop with a retro flair that’s reminiscent of the 50’s and 60’s.  It’s a sound that we haven’t heard too much of in the current pop sphere, and it’s a sound that is solely Trainor’s.

via Zing.vn
via Zing.vn

The album starts off with everybody’s favorite, “All About That Bass”.  We then get songs like “Dear Future Husband” and “Close Your Eyes” which have the overarching theme of body image.  Trainor is a little bigger in size, and she embraces it with these songs.  They’re pretty relatable and empowering for those who share the same body image.

The album then shifts to Trainor’s love life.  We get a plethora of songs about falling in love, breaking up, and the struggles of letting go.  It’s stuff that we have all heard before.  (That’s pretty much what pop is turning into these days.)  The doo-wop ballad “Like I’m Going To Lose You” featuring the talent of John Legend and the up-tempo and energetic “Bang Dem Sticks” were some of my standout favorites from this portion of the album.

El Remix
El Remix

The other single that was released from the album was “Lips Are Movin”, which also happens to be one of my overall favorites.  It’s a bouncy song about Trainor’s confidence with breaking up with her ex.  She’s done with him and his lies.  It’s confusing however because only a couple of songs later we get “My Selfish Heart”, which features a much somber Trainor kissing up to the guys that she has broken up with.  All confidence and that “bad-girl” style is gone.

There’s nothing new in terms of substance from Trainor’s offerings, but it’s her musical talent and unique sounds that keep things fresh amid the sea of love ballads and break-up anthems that populate the pop industry today.

via Allsongs.tv
via Allsongs.tv

If Meghan Trainor is going to turn into a massive pop-star, she is going to have to leave the tired concepts of love and break ups behind.  Her songs about her body image in the beginning were some of my favorites.  They were unique and we don’t have too many of those songs like that in this current climate.  It’s all about unrealistic expectations for women, and Meghan Trainor slashes those expectations down with style.  I hope that we continue to see this in the future.  All in all, Title was a strong debut from the pop sensation that filled our ears last summer.

title score

2014 Album of the Year

It’s been a pretty good year for music.  I would have to argue that last year was probably better in terms of releases, but 2014 started to get much stronger as the year went on, especially as it was coming to a close.  There were some great albums (many that made it to the top of the list) that came out pretty late into the year.  I should  preface this by saying that my musical tastes lie in the hip-hop and pop realm.  With that being said, there were some great albums that came out, but I just wasn’t in to them.  Sam Smith and Ed Sheeran had a great year (thus their Grammy nominations).

Now, here are my top ten albums that came out this year…

10. While (1<2) – Deadmau5

2014 album of the year whileDeadmau5 has always been an innovator when it comes to electronic music.  All you have to do is follow him on social media to figure that out.  While (1<2) is no different when it comes to innovation.  There is a wide range of sounds on this one and I couldn’t stop myself from tapping to the beat on pretty much all of them.  If you are an electronic music fan, you should definitely give one of the best electronic albums of the year a listen…but I probably didn’t have to tell you that.

9. Mastermind – Rick Ross

2014 album of the year mastermindIt’s been a busy year for Rick Ross, the only artist on this list to release to albums in one year.  His second album, Hood Billionaire, was a little iffy and could have used a little more time, but I’m here to talk about his superior album of the two, Mastermind.  The album contained hits like “War Ready” featuring Jeezy and “Vein” featuring The Weeknd.  Not to mention Rick Ross teamed up with Jay Z with the song “The Devil Is A Lie”, which received a lot of critical praise.  Rick Ross is a powerhouse, and Mastermind displayed this fact brilliantly.

8. Broke With Expensive Taste – Azealia Banks

2014 album of the year brokeThis was an album that flew quietly under a lot of people’s radars.  After a long wait, Azealia Banks released Broke With Expensive Taste to quite a lot of critical praise.  Azealia Banks isn’t really a household name, but she deserves to be.  The album contained a lot of different and unique sounds that made it different from the rest.  With songs like “Chasing Time” and “Desperado”, I couldn’t get the album out of my head.  This album was probably my surprise of the year.  I wasn’t expecting much from it, but it delivered.

7. My Everything – Ariana Grande

2014 album of the year everythingAriana Grande has had a big year, and part of it was because of her latest release My Everything.  It’s hard to argue with the talent that the young singer has.  Her vocal range is enormous and it’s possible that she could become the next Mariah Carey.  The album contained hits like the summer sensation “Problem”, the energetic “Break Free” and the deep, yet sensual “Love Me Harder” featuring the talented The Weeknd.  There is a tone of great songs on the album, making it one of my top pop albums of the year.  (Sorry Taylor Swift)

6. The Pinkprint – Nicki Minaj

2014 album of the year pinkprintNicki Minaj is slowly turning into a feminine hip-hop powerhouse.  She also had a fantastic year, topped by the release of The Pinkprint, which features the strongest Nicki Minaj yet.  The album contains so many different genres, all in one complete package.  There’s some rap that hearkens back to her earlier days, pop, and even some R&B.  Some of my favorites included “Pills N Potions”, “The Crying Game”, “Only”, “Feeling Myself”, and “The Night Is Still Young.”  Any Nicki Minaj fan should find something that they like on the album.

5. The Inevitable End – Royksopp

2014 album of the year inevitable endThis is another album that people might not have heard about when it was released back in November.  The Norwegian electronic duo Royksopp put out The Inevitable End with the plan to stop making music.  They might be taking a break, or they might be done for good.  Either way, I thought that the album was a fitting conclusion to their career.  You could tell that there was a sad tone throughout the album, but it also had some warm feelings as well.  They also collaborated with pop star Robyn for songs like “Do It Again” and “Monument”.  The album also ended with the simply titled “Thank You”, which was a strong finish.

4. The New Classic – Iggy Azalea

2014 album of the year new classicIggy Azalea took the hip-hop world by the horns.  Her first album The New Classic, contained a plethora of hits that propelled her to the top of her game.  “Work”, “Change Your Life”, “Fancy” and “Black Widow” were all songs that put her in the spotlight of the hip-hop industry.  She has also faced equal amounts of backlash and attacks from fellow rappers, but I thought that she has handled herself pretty well despite the things she has gone through.  The album was a strong first impression, and I can only imagine the type of hits she will come out with in the coming years.

3. Shady XV – Eminem & Shady Records

2014 album of the year shadyThe king of controversy is back again with the aptly named Shady XV.  Eminem has built his record label Shady Records into a formidalbe empire in the hip-hop industry.  The album came in two parts, the first being some of the new stuff from the record label, including songs like Eminem’s “Guts Over Fear” and the Detroit fight songs “Detroit Vs Everybody”.  The second part of the album went back in time, reviewing some of the classics that have come from the label.  There was a ton of stuff featured in the package, and it was hard to be disapointed with the final product.  Eminem continues to be one of the best rappers out there.

2. Blacc Hollywood – Wiz Khalifa

2014 album of the year hollywoodWiz Khalifa has had a tough year due to his break-up with long time wife Amber Rose.  However, when Wiz Khalifa goes and looks back on his year, Blacc Hollywood will probably make everything okay.  Wiz’s fifth studio album was supported to the top of the hip-hop charts with songs like “We Dem Boyz”, “KK”, and the pleasant sounding “Staying Out All Night.”  There was a lot more depth to the album than Wiz’s previous projects, making it just a joy to listen to.  Some people didn’t like it as much, but I thought there was a ton to like about the album.

1. 2014 Forest Hills Drive by J. Cole

2014 album of the year jcole

Finally, we have the recently released 2014 Forest Hills Drive, the third studio album by rapper J. Cole.  In my review, I stated that the album was more than just an album, but instead, a story.  J. Cole took us on a journey through his life, beginning in is childhood years and went till the current day J. Cole.  He had some revelations throughout the album and decided to act upon those revelations by the end.  It was amazing to see the progression of the rapper from being young, reckless, and famous to being the wise and talented artist that he is today.  J. Cole isn’t the household rapper that he should be.  If you are a fan of hip-hop at all, make sure to give his latest piece of work a listen, you wont regret it.  It’s fitting that the album has “2014” in it’s name, because it was by far my favorite of the year.

Review: The Pinkprint

the pinkprint coverThe Pinkprint (2014)

Nicki Minaj

Rap / Hip-Hop

Young Money / Cash Money / Republic Records

A lot of people have been proclaiming Nicki Minaj as one of the “queens” of the rap and pop industry.  It’s hard to deny the fact, given the amount of successes she has had this year.  She’s hosted award shows, released one of the songs of the summer, and continues to do more and more.  The Pinkprint, her third studio album, is going to be her closer for the year, her “pinkprint” on the year, per say.

the pinkprint 2

One of the things I enjoy most about the album is her trip back to her mixtape roots as a primarily rap artist.  Before she was known for her “dance-pop” sound, she was an up-and-coming rapper from the Young Money label.  On The Prinkprint, she leaves that “dance-pop” sound from Pink Friday and brings back her older sounds.

The album starts off with a pretty emotional track from Nicki, which is not to characteristic of the singer.  “All Things Go” is an open door to her love life, her family, as well as her abortion that she had to go through.  The song is then followed with “I Lied” and “The Crying Game”, which both showcase the vocal talent of Nicki as well as her emotional side.  At this point, I thought I was listening to a deep and emotional R&B album…until the next songs started to ramp up the energy.

“Get On Your Knees” featuring Ariana Grande was energetic, but nothing really special.  The song was then followed by “Feeling Myself”, which was actually one of my favorite songs from the album.  It features verses from both Nicki and Beyonce, who both come off as cocky, which is no surprise given the position they have in pop culture as of late.

2014 iHeartRadio Music Festival - Night 1 - Show

Other stand-out songs include “Only”, which was the banger featuring verses from Drake and Lil Wayne, and a hook by Chris Brown.  The thing that makes this song stand out is the things that the Young Money founders set straight on the track.  We also have “Trini Dem Girls”, which features a little help from Lunchmoney Lewis.  The song is probably one of the cooler sounding songs on the album, giving tribute to Nicki’s Trinidadian roots.

“The Night Is Still Young” is a pop-infused song which provides a lot of vivacity to the album.  “Pills N Potions”, one of the first singles that was released from the album, is another one of my favorites.  It’s a soft-spoken, yet powerful song that features a mesmerizing hook.

Your probably wondering why I’ve made it this far talking about The Pinkprint without mentioning “Anaconda”, arguably her most popular song of the album.  Even though it is her most popular song, doesn’t mean it’s her best.  In fact, it’s probably far from her best.  The overtly sexual nature of the song will probably put most off, and the song gets pretty old when you listen to it a couple of times.  The Sir-Mix-A-Lot sample was probably the coolest part about the song, and that’s about it.

the pinkprint 3

The album closes with the deeply emotional “Grand Piano”, where Nicki delves into a man who has lied to her, “playing her heart like a grand piano.”  It’s a fitting end to an album that begun in a similar way; a deep venture into her once private situations that she was dealing with.  She doesn’t have anything to hide anymore.

The Pinkprint remarkably shows off the vocal variety that Nicki Minaj has when it comes to her music.  The album features a mix of emotional ballads, lyrical rap prowess, club bangers, and “poppy” radio hits.  It’s all there in Nicki’s arsenal.  There is still part of me that wishes she would just pick one style and run with it though.

This album was probably my favorite Nicki Minaj album.  However, this might not be the same for everybody.  She got popular with her dance-pop sound and not too much of that sound is present on the album.  If you are wondering whether you should get the album, it probably just depends on what type of Nicki you are into.  Although, there is a bit of everything on the album.


It’s Time for the United State of Pop 2014

It’s that time of year again!  We are a little under a month away from the conclusion of 2014.  It’s the time of the year when we reflect back on what a year it has been.  We analyze what was good about the year, as well as some of the rough patches that we want to forget.  We also look back at all the memories that the year brought us, the memories that we won’t want to forget.

Or, if your DJ Earworm, you drop the hottest remix of the year…

united state of pop 2014 2

Every year, DJ Earworm is the mastermind behind the United State of Pop, an annual mash-up of the top songs of the year.  It blends chart-topping hits that we couldn’t get out of our heads into one song that we will get stuck in our head yet again.  This year he entitled the remix “Do What You Wanna Do” and the mash-up is pretty great.

It features a wide range of artists, including the likes of Iggy Azalea, Taylor Swift, Sam Smith, Katy Perry, Meghan Trainor, Pharrell Williams, Maroon 5, Jason Derulo, YG, Ariana Grande, Lil Jon, and much more.

united state of pop 2014 1

This year’s remix was interesting, because it blended the soft and smooth sounds of Sam Smith with sounds as chaotic as Lil Jon’s “Turn Down For What”.  As hard of a task as that sounds, DJ Earworm did a remarkable job, once again, at capturing the year in music.  It’s has a slower tempo, but that is because of the decline of EDM music in the top 25, as referenced by DJ Earworm himself.  It serves as a brilliant time capsule that we can go back to year after year.

Or, if you want to watch the music video mash-up, which is equally as great…

Finally, here is the full track list of songs that are featured in the remix:

A Great Big World – “Say Something” (feat. Christina Aguilera)

Ariana Grande – “Problem” (feat. Iggy Azalea)

Bastille – “Pompeii”

Dj Snake & Lil Jon – “Turn Down For What”

Hozier – “Take Me To Church”

Idina Menzel – “Let It Go”

Iggy Azeala – “Fancy” (feat. Charlie XCX)

Iggy Azeala – “Black Widow” (feat. Rita Ora)

Jason Derulo – “Talk Dirty” (feat. 2 Chainz)

Jeremiah – “Don’t Tell Em'” (feat. YG)

Jessie J – “Bang Bang” (feat. Ariana Grande & Nicki Minaj)

John Legend – “All of Me”

Katy Perry – “Dark Horse” (feat. Juicy J)

Lorde – “Team”

Magic! – “Rude”

Maroon 5 – “Animals”

Meghan Trainor – “All About That Bass”

Nico & Vinz – “Am I Wrong”

One Direction – “Story of my Life”

Passenger – “Let Her Go”

Pharrell Williams – “Happy”

Pitbull – “Timber” (feat. Kesha)

Sam Smith – “Stay With Me”

Taylor Swift – “Shake It Off”

Tove Lo – “Habits”

Review: Sweet Talker

sweet talker coverSweet Talker (2014)

Jessie J

R&B / Pop / Soul

Label: Lava / Rebublic

Jessie J’s music career has always been intriguing to me.  It just seems like not that much people are talking about her.  She has the ability to make pretty big hits.  Her single’s “Domino” and “Price Tag” did very well and she even wrote Miley Cyrus’s hit “Party in the USA.”  So like I said, the ability is there, but where is her star power?

With the British singer’s recent release of Sweet Talker, Jessie J’s third studio album, it seems as if her star power will reach a maximum.

The album starts out with a bang (no pun intended) with four of my favorite songs off her release.  She starts off with the energetic “Ain’t Been Done” and then moves to the even faster “Burnin’ Up” with 2 Chainz.  We then have the title track “Sweet Talker”, in which Jessie J gives a strong performance.  Lastly, “Bang Bang” is probably my favorite track off the album.  When it was released as a single, it was a bona fide summer hit, featuring the likes of Ariana Grande and Nicki Minaj.  The track also warranted a VMA performance that was truly something else.

However, the rest of the album did not stand out as much as the first four hits.  Jessie J started to slow it down with sweet sounding melodies, which started to run together towards the end.  There wasn’t too much variety as the album started to come to a close, but Jessie J still managed to make them entertaining to listen to, with her powerful and melodic voice.

She almost reminds me of a hybrid between Beyonce and P!nk.  She has a wide vocal range and a booming voice, with some pop, hip-hop, and r&b influences.  She doesn’t have the name recognition of those two artists, but she still has a voice that can be singled out of a crowd.

Sweet Talker could be considered A+ material if there was only some variety towards the latter part of the album.  However, Sweet Talker is still a strong release from the brit. Her single “Bang Bang” propelled her into the US spotlight, now it’s up to her what she does with it.

Hopefully she provides us with more impressive chart-topping hits.